Grateful Dead Live at Madison Square Garden on 1991-09-10
C C Rider ->
It Takes A Lot To Laugh It Takes A Train To Cry
Black Throated Wind
Help On The Way ->
Estimated Prophet ->
Dark Star ->
Dark Star ->
I Need A Miracle ->
Standing On The Moon ->
Turn On Your Lovelight
It's All Over Now, Baby Blue
Collection GratefulDeadBand/Artist Grateful DeadVenue Madison Square GardenLocation New York , NYSource B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2Lineage 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (email@example.com) October 30, 2008 Editing and Mastering: Jamie Waddell (firstname.lastname@example.org) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-TaggingTaped by James Young and Clay BrenneckeTransferred by Todd Evans and Jamie Waddell
The James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.
If you have questions or comments, Clay would love to hear from you - email@example.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - firstname.lastname@example.org - email@example.com
A **GEMS** Production www.shnflac.net
September 12, 2011
Great musician showcase
A very good show, not one of the greatest. I like it when Garcia really cuts loose and shreds, and he doesn't really do any of that here, but he might just be leaving some air space for Hornsby & Marsalis, which is definitely a good thing to do, and he sounds tight at least. Great AUD recording, clear and separated, but with enough crowd noise to let you know how awesome it was. Worth a download.
April 18, 2010
Great show and beautiful quality for an AUD. One thing to note is that the titles for "Lovelight" and "Crowd" are flipped. "Lovelight" comes before the encore.
May 27, 2009
One of the best..
shows from '91 and beyond. Unfortunately, I missed this by one show, but caught two on this MSG run. Any show with Shakedown, HSF and Dark Star is going to be off the chain--and this puppy delivers!!